Liza Lou has had numerous solo gallery exhibitions around the world, including Galerie Thaddaeus Ropac, Paris and Salzburg (2023, 2016, 2014, 2010, 2004); Lehmann Maupin, London, New York, Seoul and Hong Kong, (2021, 2019, 2018, 2017); and White Cube, London (2015, 2012, 2006). Solo museum exhibitions include the Brooklyn Art Museum, Brooklyn, NY (2024); Neuberger Museum of Art, Purchase, NY (2015); Museum of Contemporary Art, San Diego, CA (2013); SCAD Museum of Art, Savannah, GA (2011); Museum Kunst Palast, Düsseldorf, Germany (2002), the Bass Museum of Art, Miami, FL (2001) and the Aspen Art Museum, Aspen, CO (1998). Group exhibitions include Color is the First Revelation of the World, Orange County Museum of Art, Costa Mesa, CA (2024); The Interior Life, National Gallery of Art, Washington, DC (2023); SUPERPOSITION & Engagement, 21st Biennale of Sydney, Sydney, Australia (2018); and 19th Century and Modern Art, Metropolitan Museum of Art, New York, NY (2010).

Liza Lou’s work is held in a number of public collections, including the Brooklyn Art Museum, Brooklyn, NY; Buffalo AKG Art Museum, Buffalo, NY; Cleveland Museum of Art, Cleveland, OH; Des Moines Art Center, Des Moines, OH; Fondation Cartier pour l'art contemporain, Paris, France; François Pinault Foundation, Palazzo Grassi, Venice, Italy; Hill Foundation, New York, NY; La Fundación Jumex, Mexico City, Mexico; Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY; Museum Voorlinden, Wassenaår, the Netherlands; and National Gallery of Art, Washington, DC.

Liza Lou is the recipient of the MacArthur Foundation Fellowship (2002) and an Anonymous Was a Woman Award (2011). Rizzoli Electa recently published their second comprehensive monograph on the artist’s work, including essays by Glenn Adamson, Cathleen Chaffee, Elisabeth Sherman, Carrie Mae Weems, and Julia Bryan-Wilson.